the problem with this methdo of putting pigment on fabric is that there’s linseed oil – a drying oil – saturating the cloth, and over time the acids in the oil will rot the fabricand ruin the art.
i read something in one of those links above, saying that since this particular brand of paintstick is linseed oil and wax, and because the linseed oil is specially treated to be less acidic (by what process?), and because it dries on the fabric so quickly and is heatset – thus polymerized, dried, plasticized so quickly after being painted on, it has spent relatively little time being oily, and the remnant gets washed out after it’s set, and so it should be okay even tho the company hasn’t done aging tests on the effects. but it should be okay.
anyway, i haven’t tried it yet, and will, but i’m thinking oil isn’t the right binder for puting pigments on fabric. i’m thinking soda ash for cotton, and vinegar for silk. i’m thinking fiber reactive dyes.
i wish i knew the science.
see, i’ve had this idea for awhile now, and it’s been festering, teh way a painting might sit in teh back of our mind for a couple of years befoer you get around to making marks and finishing a painting.
altho i’m still thinking like a 2-dimensional painter on paper or canvas, i’m working like a fabric designer and sewing room monster.
you should see my new sheet set. wait here, i’ll go get a picture.