my name is jeanne morrison, and i’m a process artist - i’m interested in the process of making art, and sharing what i learn about how to make art, rather than selling art, or being known to the art world, or any of those career activities expected of artists. i could teach and do workshops, but that would mean spending precious time and energy not working on my own art. indeed i have taught. and i’ve taught workshops, and shown my work in art exhibitions, and attended art residencies, and had gallery representation. i’ve sold most of what i’ve made over the years, amd my paintings hang in private collections around the world.
but these days i do my art for myself, whatever i’m interested in or whatever comes up that’s interesting. i’ve been exploring the beauty of encaustic painting in the last few years, and working on a series of fabric projects. last winter i did a series of surface design on sculpture for a public art project, and next year will bring more opportunities to make public art. my current obsession is an ambitious long fiction project that i will be writing and jim will be illustrating..
thirty-five years ago i started with watercolor on paper, fifteen years ago i took up oil paints. i picked up dye on fabric ten years ago, and for only the last five years have i been playing with the magic of wax. my method is to work in series, because it’s a learning curve every time i change media, and i try to get it right at least once before moving on.
for me, art is about getting different colors to stick to various things; things that can then be made into other things.


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May 17, 2010 at 1:34 pm
kate estrella
Thanks for giving me some hope re: making my own cold wax. I have been a painter and am now interested in encaustics, but found the fumes impossible to deal with at home. I have just purchased some Dorland’s and am very interested in working with it more, but my initial attempts seem exciting. However, I do not know if I can achieve that luminosity of fused encaustics…we’ll see! In the meantime, might you be more precise as to what citrus oil you use? Thanks so much, your work is quite beautiful!
May 18, 2010 at 7:44 am
jeanne
dorlands will give you the same fume problem. you can use dorlands unfused, of course, and there’s a whole school of encaustic that doesn’t fuse (tho you won’t hear about them). the orange oil i use i get from several sources, because i’m still looking around. you want to use orange solvent – orange oil. there are a variety of manufacturers, and a range of grades, and there are several ways to make it, so you should do your own research. but i found someplace that sells orange oil made from orange peel (not from corn), food grade so it’s as pure as they can make it. my studio smells like oranges and i’m constantly hungry.
these guys sell an orange solvent that i like: http://www.realmilkpaint.com/citrus.html. if you ventilate your area well enough, the fumes shouldn’t be a problem. it may take some strong fans and blowers, but you should be able to fuse your wax without having your eyes sting or getting naseous from the fumes. good luck!
October 16, 2010 at 1:59 pm
Kellie Elmore
I would love for you to check out a little site I put together for creative minds, called Social Muze! I think you would make a great addition!
If you wana take a peak, you can access it through the Creative Playground tab on my blog. Hope to see you there!
Kellie